Alison Eastley has been published in many fine journals including Blue Fifth Review, The Adirondack Review, Taint, The Absinthe Review. She has poems forthcoming in Sometimes City, Pig Iron Malt, and Snow Monkeys.
You swallowed too much morphine in the morning. By evening,
the door was shut. Our room was cooler than usual. You tried to console
me by drawing me close while at the same time there was no time.
Who hasn't made love without wondering
whether to scratch his back with your fingernails,
whether bruising his neck with your mouth or biting
him here and here, then softly on his belly until
the next day
If it wasn't for her voice, I doubt she'd make the news
with another sad story. That's the thing about drugs and booze.
Someone, somewhere, just has to add sex except back
then it was a white gardenia and a pink silky dress
presenting a mouth torn open, the world an encore of excess.
In sacrifices, everything is a sign: whether the animal goes willingly
to the altar and bleeds to death quickly, whether or not the fire flares
swiftly, how the tail curls and the bladder bursts a dream, a stumble,
a chance encounter, even an unexpected drop of rain and this day
The death rune is symbolised by the yew tree
which is the best wood for carving runes made sacred
if the myth about Odin found hanging from the tree
is the same as card number 12 where sacrifice must be
made to gain recognition of repetitive patterns that bind