MaverickMagazine

Eva Skrande

Eva Skrande was born in Havana, Cuba and grew up in Miami. She earned a B.A. from Sarah Lawrence College, an M.F.A. from Iowa, and is currently finishing a Ph.D. in Creative Writing at the University of Houston. Her poems have appeared in  the American Poetry Review, American Voice, Iowa Review, Ploughshares, and the Alaska Quarterly, among others. Her chapbook, the Gates of the Somnambulist was published by Jeanne Duval Editions
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 Articles by this Author

TULIP

    Tulip of my dreams, tulip of my emptiness,
    tulip which follows the moon
    that rides off with the wolf's head.
    O horses and linen, buried, soundly asleep

THE SHEEP

    When it is evening and the sheep knock at the door,
    I know you are near,
    that you have jumped out of the corn
    to read the century and her seven grains.

    The river mason was there.
    The woman who had built a heart
    with no bitter lemons was there too.
    So was the horse that had built the town

    Come fill my ears with the flowers' seas.
    Fill me with valleys of markets
    where the only vagrants are cherries
    and oranges and kisses that proselytize
    from their shoulders.

    Like a bride who weeps for her country's exiled palm trees,
    I am honey and morning.
    I kiss your sea's red intemperance.
    For the scroll's pleasure,
    I offer corn and her evening.

    There were, my trumpet, at least seven directions between us,
    the wolves exiled just east of your hair's allegories
    and the western corner of your shoulder
    where birds come with their sirens to celebrate
    our corn's anniversary. How easily along the coast

    Everyday, my earth, I kiss your seven continents
    and marry your rivers. Your fish, your birds
    my language at dawn. Let there be no secrets
    between my mountains and your cities.

CHURCH

    Within your arches, I am moon and corn.
    Church where winter crows, church of souls
    that wear shoes, church of birds playing hopscotch.
    My tribes and your thighs' rivers are one.
    O altar of horses and sweat,

WIDOWER'S SONG

To stand in the blink of the cemetery as between centuries
And hide from the river of oxen.
To go with the bones, to go with the bones.
To refuse the dust of the harp. There's no difference
Between the promise of death's aubade and the laugh of nails.

DESTINY

    Destiny of blue fingers, flying over a dynasty of brides,
    take from the dusk, the priesthood of your violins.

    Destiny where earth lies down, and the bread of history takes root,
    that lifts the dawn from the eyelids of shame.